{"id":3594,"date":"2024-06-28T11:11:21","date_gmt":"2024-06-28T09:11:21","guid":{"rendered":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/?p=3594"},"modified":"2025-04-16T15:04:04","modified_gmt":"2025-04-16T13:04:04","slug":"joyfully-waiting","status":"publish","type":"post","link":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/?p=3594","title":{"rendered":"Joyfully Waiting"},"content":{"rendered":"\n<details class=\"wp-block-details has-contrast-color has-text-color has-link-color wp-elements-e2ed4692ac155468df9de7bc738b2b12 is-layout-flow wp-block-details-is-layout-flow\"><summary>ENGLISH<\/summary>\n<p class=\"wp-block-paragraph\"><strong>Joyfully Waiting<\/strong> is an online platform for sound works by contemporary artists, founded by Geneva-based artist Nathalie Rebholz in 2020. She is organizing performative inputs for the Kl\u00f6ntal Triennale on September 7, featuring Alexandre Joly, Galaxia Wang, Olga Kokcharova &amp; No\u00e9mi Alberganti, and F\u00e1tima Wegmann Guinassi to create audiovisual experiential spaces. Alexandre Joly uses architecture as a body of sound, stretching piano strings across the space to resonate site-specific electroacoustic sounds.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Galaxia Wang translates horoscopes into music using the Nuna, an instrument of northern Indigenous peoples, creating a synaesthetic effect that grounds the listener in the present.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Musician Olga Kokcharova and dancer No\u00e9mi Alberganti guide participants on a nature walk to experience the surroundings. Fatima Wegmann Guinassi weaves a musical tale in a site-specific sound cosmos filled with memories, dreams, and enchanting moments.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During the finissage weekend on September 28, Chaos Clay, an Afro-futurist DJ, will immerse the audience in a poetic-experimental clubbing experience infused with queer-feminist and Afro-cultural anecdotes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nathalie Rebholz<\/strong> (*1978, CH, lives in Geneva) has a master of arts degree (HEAD, Geneva) and a diploma in photography (ECAL, Lausanne). She has performed at Circuit, L\u2019Istituto Svizzero Venezia, Cherishhh, Corner College, and L\u2019Arsenic, among others, and has taken part in numerous exhibitions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/details>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p>Joyfully Waiting<span style=\"font-weight: 400;\"> ist eine Online-Plattform f\u00fcr Soundarbeiten von zeitgen\u00f6ssichen K\u00fcnstler*innen, die von der Genfer K\u00fcnstlerin <\/span>Nathalie Rebholz<span style=\"font-weight: 400;\"> 2020 gegr\u00fcndet wurde.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">F\u00fcr die Kl\u00f6ntal Triennale gestaltet sie am 7.\u00a0 September performative Inputs. Dazu l\u00e4dt sie <\/span>Alexandre Joly, Galaxia Wang, Olga Kokcharova &amp; No\u00e9mi Alberganti, und <span style=\"font-weight: 400;\">F\u00e1tima Wegmann Guinassi<\/span><span style=\"font-weight: 400;\">\u00a0ein, audio-visuelle Erfahrungsr\u00e4ume zu gestalten. Ausgehend von der Architektur als Klangk\u00f6rper spannt Alexandre Joly Klaviersaiten durch den Raum, die in Vibration versetzt werden und so ortsspezifische, elektroakustische Kl\u00e4nge erzeugen. Galaxia Wang vertont Horoskope auf dem von indigenen V\u00f6lkern des Nordens verwendeten Instrument \u00abNuna\u00bb, das eine syn\u00e4sthetische Wirkung entfaltet und die Zuh\u00f6renden in ihrer Wahrnehmung in der Jetztzeit verortet. Auch die Musikerin Olga Kokcharova und die T\u00e4nzerin No\u00e9mi Alberganti f\u00fchren die Teilnehmenden auf einem Spaziergang in der Natur zur eigenen Wahrnehmung und Erfahrung des Ortes. Fatima Wegmann erz\u00e4hlt eine musikalische Fabel in Form eines ortsspezifischen Klangkosmos voll mit Erinnerungen, Tr\u00e4umen und magischen Momenten. <\/span><\/p>\n<p>W\u00e4hrend des Finissage-Wochenendes am 28. September wird Chaos Clay, ein*e afro-futuristische*r DJ das Publikum in ein poetisch-experimentelles Clubbing-Erlebnis voller queer-feministischer und afro-kultureller Anekdoten entf\u00fchren. <span style=\"font-weight: 400;\"><br \/><\/span><br \/><span style=\"font-weight: 400;\">Nathalie Rebholz (*1978, CH, lebt in Genf) hat einen Master of Arts (HEAD, Genf) und ein Diplom in Fotografie (ECAL, Lausanne). Sie performte unter anderem bei Circuit, l\u2019Istituto Svizzero Venezia, Cherishhh, Corner College, l\u2019Arsenic, und nahm an zahlreichen Ausstellungen teil.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Joyfully Waiting ist eine Online-Plattform f\u00fcr Soundarbeiten von zeitgen\u00f6ssichen K\u00fcnstler*innen, die von der Genfer K\u00fcnstlerin Nathalie Rebholz 2020 gegr\u00fcndet wurde. F\u00fcr die Kl\u00f6ntal Triennale gestaltet sie am 7.\u00a0 September performative [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5240,"comment_status":"open","ping_status":"open","sticky":false,"template":"exhibition-einzelseite-template","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[307,19],"tags":[],"class_list":["post-3594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-de","category-exhibition"],"_links":{"self":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts\/3594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3594"}],"version-history":[{"count":20,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts\/3594\/revisions"}],"predecessor-version":[{"id":4817,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts\/3594\/revisions\/4817"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/media\/5240"}],"wp:attachment":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}