{"id":3608,"date":"2024-06-28T11:14:25","date_gmt":"2024-06-28T09:14:25","guid":{"rendered":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/?p=3608"},"modified":"2025-04-16T15:01:30","modified_gmt":"2025-04-16T13:01:30","slug":"tabita-rezaire","status":"publish","type":"post","link":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/?p=3608","title":{"rendered":"Tabita Rezaire"},"content":{"rendered":"\n<details class=\"wp-block-details has-contrast-color has-text-color has-link-color wp-elements-526246576451d9248a5e9a55c8134ea6 is-layout-flow wp-block-details-is-layout-flow\"><summary>ENGLISH<\/summary>\n<p class=\"wp-block-paragraph\"><strong>Tabita Rezaire <\/strong>perceives herself as a healer, utilizing art to unravel the interconnections between organic, electronic, spiritual, and scientific realms. Through her work, she delves into mystical concepts and scientific inquiries, addressing enduring grievances rooted in colonial histories that continue to unsettle the harmony of body, mind, and soul in contemporary society.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In her immersive installation <em>Orbit Diapason <\/em>(2021), Rezaire weaves together a narrative bridging our present reality with speculative mythologies of the future in a honeycomb-shaped dome structure. The film raises questions about the human tendency toward expansion, imperialism, and destruction. It also sheds light on our yearning for interaction with extraterrestrial life and exploration of alternative territories, all the while mindful of the potential exhaustion of Earth\u2019s resources.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Against this backdrop, the artist proposes healing practices grounded in Indigenous wisdom: fostering responsible coexistence with all beings, nurturing both physical and mental well-being, and cultivating a harmonious relationship with nature and its resources. As an activist, she emphasizes community solidarity and promotes reconciliation between electronic, organic, and spiritual legacies, fostering a collective consciousness (\u201cwe\u201d).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tabita Rezaire<\/strong>\u2019s (*1989, F, lives in Cayenne, GF) work has been exhibited globally at prestigious venues including the Centre Pompidou (Paris), Palais de Tokyo (Paris), Mus\u00e9e d\u2019Art Moderne de Paris, Museu de Arte de S\u00e3o Paulo, Serpentine Galleries (London), Institute of Contemporary Art (London), Victoria and Albert Museum (London), Tate Modern (London), Museum of Modern Art (New York), New Museum (New York), Museum of Contemporary African Diasporan Art (New York), Gropius Bau (Berlin), and at international biennials in Sydney, Shanghai, Guangzhou, Kochi, Athens, Helsinki, Busan, and Berlin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p>Tabita Rezaire<span style=\"font-weight: 400;\"> versteht sich als Heilerin. Kunst nutzt sie als Mittel, um Verbindungen zwischen organischen, elektronischen, spirituellen und wissenschaftlichen Ph\u00e4nomenen aufzusp\u00fcren. Sie setzt sich mit mystischen Konzepten und wissenschaftlichen Fragestellungen auseinander und zeigt die seit der Kolonialzeit existierenden Missst\u00e4nde auf, die bis heute die K\u00f6rper-Geist-Seele-Matrix unserer Gesellschaften in ein Ungleichgewicht versetzen. Halluzinatorisch und immersiv f\u00fchrt Tabita Rezaire in der wabenf\u00f6rmigen Kuppelstruktur \u00abOrbit Diapason\u00bb (2021) die F\u00e4den einer Geschichte \u00fcber die Welt der Gegenwart und von spekulativen Mythologien der Zukunft zusammen. Der Film wirft Fragen auf \u00fcber die menschliche Tendenz zur Expansion, Imperialismus und Zerst\u00f6rung. Nicht zuletzt wirft er auch ein Licht auf den Wunsch nach Interaktion mit ausserirdischem Leben und alternativen Territorien, da die Ressourcen der Erde bald ersch\u00f6pft sein k\u00f6nnten. Als Kontrast zu diesem kritischen Zustand der Erde, zu dem die Industrialisierung und der globale Kapitalismus gef\u00fchrt haben, schl\u00e4gt Tabita Rezaire Heilungsrituale vor, etwa eine in indigenen Kulturen bereits vorhandene, verantwortungsvolle Koexistenz mit allen Kreaturen, die Pflege von K\u00f6rper und Geist, sowie ein harmonisches Verh\u00e4ltnis zur Natur und ihren Ressourcen, mit der sie die Gemeinschaft st\u00e4rken und die F\u00e4higkeit zum Wir f\u00f6rdern m\u00f6chte. Als Aktivistin ruft sie so zur Vers\u00f6hnung zwischen elektronischem, organischem und spirituellem Erbe auf.<\/span><\/p>\n<\/p>\n\n\n<figure class=\"wp-block-image size-large content_bild\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"1024\" src=\"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/wp-content\/uploads\/2024\/06\/Bildschirmfoto-2024-07-17-um-15.12.12-680x1024.png\" alt=\"\" class=\"wp-image-4163\" srcset=\"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/wp-content\/uploads\/2024\/06\/Bildschirmfoto-2024-07-17-um-15.12.12-680x1024.png 680w, https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/wp-content\/uploads\/2024\/06\/Bildschirmfoto-2024-07-17-um-15.12.12-199x300.png 199w, https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/wp-content\/uploads\/2024\/06\/Bildschirmfoto-2024-07-17-um-15.12.12-768x1156.png 768w, https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/wp-content\/uploads\/2024\/06\/Bildschirmfoto-2024-07-17-um-15.12.12-1021x1536.png 1021w, https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/wp-content\/uploads\/2024\/06\/Bildschirmfoto-2024-07-17-um-15.12.12.png 1026w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><figcaption class=\"wp-element-caption\">Portrait Tabita Rezaire, 2023 \u00a9Yussef Agbo-Ola<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Tabita Rezaires (*1989, F, lebt in Cayenne, GF) Werk wurde international in renommierten Kunstinstitutionen wie dem Centre Pompidou (Paris), dem Palais de Tokyo (Paris), dem Mus\u00e9e d\u2019Art Moderne de la Ville de Paris, dem Museu de Arte de S\u00e3o Paulo, den Serpentine Galleries (London), dem Institute of Contemporary Art (London), dem Victoria and Albert Museum (London), der Tate Modern (London), dem Museum of Modern Art (New York), dem New Museum (New York), dem Museum of Contemporary African Diasporan Arts (New York), dem Gropius Bau (Berlin) und auf internationalen Biennalen in Sydney, Shanghai, Guangzhou, Kochi, Athen, Helsinki, Busan und Berlin ausgestellt.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><br>Foto: Tabita Rezaire: Orbit Diapason, ARoS Aarhus Art Museum \u00a9 Anders Sune Berg, Courtesy of Tabita Rezaire and Goodman Gallery<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tabita Rezaire versteht sich als Heilerin. Kunst nutzt sie als Mittel, um Verbindungen zwischen organischen, elektronischen, spirituellen und wissenschaftlichen Ph\u00e4nomenen aufzusp\u00fcren. Sie setzt sich mit mystischen Konzepten und wissenschaftlichen Fragestellungen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5248,"comment_status":"open","ping_status":"open","sticky":false,"template":"exhibition-einzelseite-template","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[307,19],"tags":[],"class_list":["post-3608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-de","category-exhibition"],"_links":{"self":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts\/3608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3608"}],"version-history":[{"count":10,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts\/3608\/revisions"}],"predecessor-version":[{"id":4825,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/posts\/3608\/revisions\/4825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=\/wp\/v2\/media\/5248"}],"wp:attachment":[{"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kloentaltriennale.ch\/hinterland\/dev\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}